Cristaux

"Cristaux" delves deep into an intricate journey of self-discovery that confronts the haunting presence of death, disillusionment, and a sense of vertigo that pervades every aspect of life. This psychological descent is not merely an exploration of the individual psyche but also raises questions about the cultural factors that shape our perception of reality. As filmmaker Hernandez navigates through this labyrinth, he is influenced by Michel Niedjar's dialectical approach, which opens up new avenues for interpretation in his work.Breaking away from traditional editing techniques, Hernandez embraces a more adaptable method that allows him to capture the complexity of human experience. By treating the camera as a "second eye," he is able to portray the interconnectedness between individuals, objects, and environments with a level of intimacy that transcends cultural boundaries. As "Lacrima Christi" demonstrates, this innovative approach also reveals a transformation in Hernandez's work - an exorcism of sorts from strictly religious iconography towards a more pantheistic, Nietzschean view of the world. This intoxicating exploration of unity and interdependence forms the backbone of "Cristaux," inviting viewers to contemplate their own place within this intricate web of existence.